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Commonly viewed as a revolutionary and propagandist Herman Gorter (1864-1927) is often overlooked despite his lasting contribution to Dutch poetry. This selection of thirty-one poems, translated by Paul Vincent, focuses on Gorter's experimental love and nature lyrics in Poems of 1890, and the Introduction sets the poems in the context of his earlier seminal work 'Mei' (May) as well as his often neglected Socialist verse.The lyrical expansiveness, consistent use of rhyme and vivid imagery of the Dutch landscape that characterises 'Mei' evolves into more fragmentary verse in Poems of 1890, and the joyful celebratory tone of Gorter's poetry increasingly co-exists with a sense of isolation and introspection. This can be viewed in the context of a rapidly changing political scene in Europe in the prelude to the First World War and the Russian Revolution. This is a valuable collection that revisits Gorter's literary and political legacy, and introduces English-speaking readers to a selection of his most accessible and lyrical poems.

Dutch poetry. --- Gorter, Herman, --- Socialism, Communism & Anarchism --- Political Science --- Law, Politics & Government --- Dutch literature --- Dutch poetry

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Of Great Importance is Nachoem Wijnberg’s 16th volume of poetry. One of the most prominent living Dutch writers, Wijnberg’s poetry is known for its deceptively plain language and his poems, according to the poet himself, can be read well by anyone who can read a newspaper. The poems in Of Great Importance engage with statecraft, economics, and world history, lyricizing taxes and debts, stocks and flows, citizenship and labor contracts, notaries and accountants, factories and strikes, freedoms and fundamental rights, banks and railroads, property rights and codes of honor, sieges and treaties, gods and generals, how to make money and how to win elections, when to declare war and when to found a new state. Wijnberg’s engagement with these and other related topics is based on his belief that economics, politics, and history — and all of the tangled relations therein, no matter how asymmetrical — concern how people live together, and his poetry is a creative form of historiography that attends to tracing the theater of an affective commonwealth, in which he builds upon the best work of those thinkers and poets who came before — including Karl Marx, John Maynard Keynes, Heinrich Heine, Czesław Miłosz, and especially C.P. Cavafy. Ultimately, Wijnberg understands that “Something important that changes the world only happens if there is a lever with a fulcrum you cannot know enough about,” and yet his poetry gorgeously illuminates this fulcrum.

Poetry by individual poets --- Dutch poetry. --- Flemish poetry --- Dutch literature --- poetry --- world history --- geopolitics --- economics --- statecraft

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This book explores images of the house in Dutch-language poetry from the postwar period. On the one hand the archetypical notion of the house has always had an established place in poetry. It is connected to the meaning of house as a building, but even more so as an imaginative house or a home. On the other hand the house is a rich metaphorical concept that is often used for expressing poetical ideas. In a historical survey of modern Dutch-language poetry different images of the house are presented. The overview shows that the choice of certain metaphorical concepts is connected to literary and extra literary contexts, and to the poetical ideas of poets. Conceptual integration – blending theory – is used throughout this book as a theoretical frame. From this perspective poems are regarded as a complex blend, a network of connections which are constructed during the reading and interpreting processes. Finally, the book shows how metaphorical blends are integrated in concrete poems and which kind of house images result from this process.

Poetry --- Dutch literature --- anno 1900-1999 --- Flemish poetry --- 1945 --- -Themes, motives --- Dutch poetry --- Home in literature --- #KVHA:Letterkunde; Nederlands --- #KVHA:Poëzie; Nederlands --- Poésie néerlandaise --- Histoire et critique. --- Littérature néerlandaise --- --Poésie néerlandaise --- --Dutch poetry --- History and criticism --- Languages & Literatures --- Germanic Literature --- Dutch poetry - 20th century - History and criticism --- Dutch literature - 20th century - History and criticism --- imagery --- the netherlands --- poetry --- house --- flanders

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The Proud Nightingale covers the many facets of medieval music in the Netherlands until the year 1600. Eighteen authors discuss songs ranging from of courtly songs, including minstrels, mystics and Modern Devots, on the performance and the oral tradition of ancient songs, and on intertextuality. What is new is the use of ethnological perspective by a number of the authors. This book is a collection of songs: messages from loved ones to joyous songs sung by groups at home and in the pub, or by farmers and servants whilst weeding, mowing and harvesting. At the same time religious melodies convey their desire for God or their distaste of the world.

Dutch poetry --- Songs, Dutch --- History and criticism. --- Dutch songs --- Flemish poetry --- Dutch literature --- nederlandse en vlaamse literatuur --- muziek --- cultuur and geschiedenis --- dutch and flemish literature --- culture and history --- music